Edvard Munch. Separation. 1896.
METAL SHEDS A TEAR
90 x 80 cm
oil on canvas
Robin Williams, Good Will Hunting (via djbooty)
Jessica Lange by Steven Klein for W Magazine, September 2014
Margriet Smulders’ intoxicating and smouldering flowers represent contradictions between the mind and the body, between science and intuítion, between dark and light, nirwana and samsara, modesty and voluptousness maybe all brought together by the heart. Her photographs are exposed to particular canvases such as metallic, Cibachrome, as well as water color paper, which give off the reflected illuminated look of a painting. Be sure to check out Margriet’s previous feature from January 2013.
Pekka Halonen (Finland 1865-1933)
oil on cardboard 42 x 51 cm
Helsinki, Ateneum Taidemuseo